
In the summer of 2003, having returned to Houston from London, newly-married to an Englishman and firmly entrenched in my career as a corporate attorney, Trinidad seemed very, very far away. Part of me was disturbed by this: while Marcus and I weren't yet ready to have children (that decision didn't happen for another three months or so), I found myself wondering how I would keep my culture alive to our kids if we ever had any. Our lives in America seemed pretty grounded, and if we left, it likely would've been back to the United Kingdom. I didn't think my handful of Trini recipes and calypso CDs were going to go far enough to keep my Trinidadian-ness truly present.
So, I decided (rather irrationally, it could be argued), I had to have a steel drum -- an instrument native to Trinidad & Tobago. Not a fake one, either. It had to be authentic. So that I could teach myself to play.
My poor, long-suffering husband went on a quest to find me a steel drum. Luckily for him, my dad had contacts, and within a few days, Marcus had located a steel drum maker in Trinidad. A few weeks later, just in time for my birthday, a shiny beautiful steel drum arrived on our doorstep in Houston. We assembled it the stand, attached the drum, and displayed it proudly in our living room....
...where it sat for the next 2 years, collecting dust.
Of course, times change, and we found ourselves here in Trinidad. I figured my opportunity to actually learn to play the thing had finally arrived: I quickly found an instructor, and for a few months, took twice-weekly lessons. I began building a repertoire, and now, I can do chromatic scales up and down the thing like blazes. Eventually, hectic travel schedules, frequent out-of-town guests and, most recently, my new job caused the lessons to fall by the wayside; however, every once in a while, I take the drum outside on our veranda and practice, its haunting notes ringing out purely in the evening air. It's also a great way to call Alex -- as soon as she hears its resonant tones, she comes running, and she's drawn to any music that includes a steel drum.
I don't know how long our family will remain here in Trinidad; however, I take such pride in the fact that if we ever move, I'll take my new-found skill with me. And now, more than just being a rather large, shiny tschotschke sitting in the corner of my living room, it's a tangible form of my culture that I hope I can continue to share with Alex.
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